Click a thumbnail to load the set into vMix.Īll our vMix virtual sets are supplied at 4K resolution (3840 x 2160 pixels). In vMix you simply click ‘Add Input’, then select ‘Virtual Set’ from the menu, and you should see the three angles from Studio 9B appear as thumbnails. How do I find the free virtual sets within vMix?: You also have a ‘spare’ layer that sits in front of everything else, which might come in handy. The screen has a surrounding frame as a separate layer (‘screen 2 edge’) – you can turn this off if you like by selecting that layer from the drop-down and unchecking ‘Visible’. There are dynamic layers set up for the skyline, the screen/monitor, and your talent layer, so you can select your own Input source for any of them. Click the link, or keep scrolling down for more information! You might also like our special Studio 9B Upgrade Pack, which adds the remaining FOUR angles that aren’t already bundled for FREE with vMix. This is the ‘left’ angle from Studio 9B – it is also available as part of the Studio 9B complete multi-angle pack). You’re welcome to download it again – but if you’re already using vMix, just be aware that this set is IDENTICAL to the version you already have! Product details This virtual set (Studio 9B ‘left’) is already included for FREE in the latest release of vMix! Watch this short video : virtual set file formats You'll receive an email with a link to download your products.
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Typical of microscopes of the turn of the 19th century to about 1930 is the combination of original lacquered brass tube, a remnant of the 19th century, with the black-painted ("japanned") limb and horseshoe base, to be replaced by the all-black body during the later decades of the 20th century. The serial number, 43430, indicates the production year 1909. The profile of this instrument features an integrated “jug handle” (German: "Bierseidel"), cut into a squared off limb, a design that became popular among some producers between ca. While this collection is focusing on pre-20th century microscopes, it was decided to include in it this very fine example of a transitional 19th-20th century microscope by the then (and now) world-leading optical company of Carl Zeiss, Germany. Funnels added to the tripod allow easy mounting of a camera.Ĭarl Zeiss, "Bierseidel" Stativ IIIE, 1909 Due to the large tube diameter, the microscope is very well suited for micro-projection and photomicrography. This microscope stand is offered from 1898 as the largest and for all microscopic work suitable tripod. A large cross table takes up the rehearsal. The plan and concave mirrors are here still connected via a dovetail with the carriage of the lighting apparatus, later tripods of this type are characterized by an inserted into the end of the rack mirror fork. (Article from the Quekett Microscopical Club). Accordingly, the main tube and the knobs are made of aluminum presumably to reduce the weight on the fine adjustment mechanism thus allowing it to be more sensitive and responsive when the microscope is inclined in the horizontal position (later versions of this model dispensed with the use of aluminum). While this microscope is perfectly suited for conventional work, this particular model was made for the purposes of photomicrography and projection. The major innovations of this design were a new type of fine adjustment and a limb having an integral handle (now, often referred to as a "Jug-Handle" microscope). CARL ZEISS MICROSCOPE SERIAL NUMBERS SERIAL NUMBERThis microscope bears the serial number 37910, dating it to 1903. It is based on a new design by Max Berger of Zeiss first introduced in 1898 ( Zeitschrift fur Instrumentenkunde, vol. This microscope was manufactured in 1903. By 1787 all these varieties were not recorded anymore in the literature. This version is extremely rare and must have been produced in very small numbers. In turn, it was preceded by the brief appearance of a transitional brass model but with solid stage of ivory or horn (seen here). Ivory models can be tentatively dated to 1776-1785, as by 1787 a newer model with a hollowed stage in an all-brass configuration already predominated. While there is no surviving example of this exact design, close relatives of this type do exist, made either completely of brass or of ivory with brass pillars. There, Withering indicated this microscope was developed for field dissections of flowers and other plant parts. The earliest reference to a small botanical microscope of Withering’s design appeared in the first edition of this book. Inspired by the taxonomical work and systematic classification of Carl Linnæus (1707-1778), Withering (1776) applied the Linnaean taxonomical system of classification to British plants in a seminal, two volume work, A Botanical arrangement of all the vegetables naturally growing in the British Isles. William Withering (1741-1799), an English physician and botanist who graduated with a degree in medicine 1766 in Edinburgh. The “Withering-type Microscope” is named for its inventor, Dr. Withering-type botanical microscope, 1780 It is a comparison between a Fresnel element (on the left) and a traditional element (on the right) of the same optical power. A diagram below shows you the biggest asset of Fresnel elements. Fresnel elements are well known and used in lighthouses or continuous lighting and allow you to construct very small optical instruments, especially when compared to their effective focal length. Nikon, contrary to Canon which have already had DO (Diffractive Optics) devices in their line-up, don’t say anything about diffractive technology but a Fresnel element (PF- Phase Fresnel – abbreviation in the name of the lens). In January 2015 Nikon showed the Nikkor AF-S 300 mm f/4E PF ED VR, an instrument based not on lenses or mirrors but a complete new technology, at least when it comes to that segment. You can change your consents to the use of cookies at any given time. 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